In the latest issue of the New Yorker, Alex Ross writes about Jonny Greenwood’s most recent classical release, ‘Popcorn Superhet Receiver’, which recently premiered in the US and is also part of the score for ‘There Will Be Blood’. “Popcorn Superhet Receiver,” an eighteen-minute work for thirty-four strings, is Greenwood’s most ambitious score to date. Although [...]
Weiterlesen...
